Despite being the company’s best-selling and possibly most-loved legacy product, few audiophiles in the United Kingdom paid attention to the launch of the Audio Research SP9 in 1987. It was a powerful – and technically creative – preamplifier that appealed to a British audience that was enamored with other trends at the time. If we’re […]
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Remember the 1970s, when the stereo receiver was at its pinnacle? Of course, the breed grew to become multichannel in the 1990s, and it’s now difficult to find one that doesn’t contain at least seven channels. So it was with great interest that I stumbled across Arcam’s FMJ SR250 back in 2016. It’s a two-channel
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This is for you if you’re an audiophile who’s tired of all those bothersome cables, or a regular person who’s put off by the notion of them in the first place. It’s essentially a high-quality digital-to-analogue converter that also functions as a UPnP music server and an AirPlay receiver. As a result, it’s a surprisingly
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This would have been great if NAD had built a tube amplifier. It shared a lot of DNA with the ubiquitous 3020, having been designed by Peter Bath (who worked for Dolby, AR, and even NAD), and built by IEEE in Taipei (who used to build Cambridge Audio, Luxman, Proton, and NAD devices). While the
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Like fashion, hi-fi formats come and go. When they’re on top, they appear majestic and unstoppable, ready to conquer the world. On the way down, no one seems to mind. This happened in the instance of Sony’s Digital Audio Tape format over the course of eighteen years. Pundits predicted it would “wipe out” Compact Disc
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The M-301 microsystem was “refined to the essence of hi-fi perfection,” according to Aiwa’s 1980 brochure. It went on to say, “The 35 Watt System: Refinement, Ingenuity, and Performance.” It’s easy to chuckle at the marketing hype, but once you get past that, it’s a very astounding piece of gear. This is largely due to
Although Compact Cassette was first introduced in 1963, it was not until the 1970s that the format properly matured. It was still quite low on the evolutionary scale at the start of the decade, being the domain of small mono cassette portables that found their way into cars, toilets, children’s bedrooms, and gardens. It’s even
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Few other Japanese names were as intimately connected with tape as Aiwa, save from Nakamichi. Sony, JVC, and Pioneer all made excellent specimens of the breed, but there were other outstanding models as well. Aiwa produced a wide range of equipment, including some unusual and unusual items such as the LP-3000 turntable and AT-9700 tuner,
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Small-scale specialty producers have a lot to offer. Their products are frequently more innovative, concentrated, and tailored to the demands of a fast changing market. However, big businesses can perform just as well, if not better, in other areas. Consider the enormous engineering resources available to the large international Yamaha brand, which is responsible for
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In the grand scheme of things, this tuner is famed for its superior design and ergonomics. It features classic aesthetics that Yamaha has lately reintroduced for their hi-fi separates; only a small patina of age on a CT-7000 indicates that it was designed in 1973 rather than 2013. It’s regular size at 436x144x352mm, but it’s
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