Reviews

For many years, the name Marantz has been connected with hi-fi. Saul Marantz founded the company in America, and it immediately gained a name for its valve amplifiers, among other things. The company has long been associated with the massive Philips corporation, but despite reaping significant benefits from that association, not least in recent years […]

The DR-17 is a Compact Disc Recorder designed around top-quality digital components given by Philips, as well as unique Marantz technology, and shares its style and champagne finish with previous models (though it is also available in black), as well as the formidable CD-7 flagship CD player which was utilized as a source for this

Philips, the inventor of the Compact Disc system, has naturally been at the forefront of following advances touching every level of the production process, from digital encoding through master disc preparation and processing to final pressing and packaging. Philips has also taken on the task of promoting the European sector in its battle against the

Is this high-end model from Marantz is as good as its cheaper siblings? Consider the market for CD players without Marantz. Isn’t it impossible? A key driving force would be lost, much like The Beatles without John Lennon. Marantz has always been a class act, taking use of its parent company’s cutting-edge, straight-from-the-CAD technology. BitStream

Philips, being the creators of the CD format, were understandably the first to market with CD players, however an avalanche of designs from the Far East shortly followed. We had previously reviewed the Philips CD100, and it is still considered the ‘baby’ of the Philips series. The CD303 reviewed here is Philips’ largest machine and

In hi-fi, bravery usually refers to the courage to release something that stands out from the crowd. Yamahas with sloped fronts and Michaelson Audio’s Chronos amps come to mind… True bravery, on the other hand, is acknowledging that you made a mistake. Marantz has done the same with the reviled CD-11. It was well received

In the mid 1980s, Philips’ announcement of new mechanisms and integrated circuits for CD players promised great performance devices at cheap rates. Their fancy buzz phrases, such as “16-bit four-times oversampling” and “digital filtering,” piqued the interest of magazine contributors, who had already formed a soft spot for Philips models since they sounded the most

When it comes to audiophiles’ critique of CD, Ken lshiwata of Marantz International gave his opinion at the end of the 1980s: “It will take some time for the digital medium to be regarded as an audiophile medium – given the shortcomings of the digital medium, I believe it will take around 5 years…” Back

The dependence on Philips’ innovative Bitstream decoding system is the center of attention in the CD840. This model costed a little more than it’s predecessors, but not because of the new Bitstream circuitry… Indeed, hi-fi fans were assured that the Bitstream chips’ basic simplicity will drive down pricing. The CD840, on the other hand, is

Common sense would have you think that CD players have only improved over time, and that any CD player from 1994 will beat out any player from 1989. Perhaps this is accurate in terms of the transportation sections. And this might even be true for D/A converters… Nonetheless, in my view, there are a few