Michael Maloney explains, “We were aiming to develop an amplifier that was well manufactured.” “When we started in the late 1970s, the quality of the components was fairly bad. In the signal path, they were still utilizing ancient carbon resistors and electrolytic capacitors, and the printed circuit boards were still Bakelite. We were among the […]
Apart from the LP12 turntable, Linn has always collaborated with other firms to produce its analogue goods — the first Ittok tonearm was called after one Mr. Ito, the Japanese co-creator, and the majority of the early ones were built in Japan. The cartridges have also been outsourced; the most recent Linn Kandid moving coil
One poster on a Naim-friendly internet forum adds, “Naim Audio makes musical instruments, other manufacturers build hi-fi.” It’s an intriguing proposal since it captures the essence of what Naim Audio devotees see in the brand. Of course, flippant remarks like this aren’t entirely accurate, but they do provide some insight into why people love this
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The UK hi-fi market was a different country in the mid-1970s. Pioneer, Sony, JVC, Hitachi, and Wharfedale dominated the inexpensive end of the market, while KEF, Quad, Tannoy, and Celestion dominated the higher end. Even at the top end, names like Linn and Naim had yet to enter the vernacular. Japanese manufacturers were booming, and
Rewind to 1978 and recall the Toshiba Aurex System 15. The first of its kind, it was an exceedingly compact yet superbly built ‘mini component’ system meant to perform as well as – if not better than – its full-sized rivals. It was a brilliant concept that combined excellent sound quality (for an all-in-one system),
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Do you remember when CD players were a new thing? The early Philips-based machines employed 14-bit, four-fold oversampling, while the original Japanese devices used 16-bits. The 164 Philips players arrived in 1986, and by 1988, a slew of 188 machines had arrived from Asia. The Great Bit War appeared to be in full swing, but
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It’s often argued that the 1960s didn’t begin until the middle of the decade, and that they didn’t end until the mid-1970s… Perhaps you might say the same about the 1980s, because the Sony CDP-911, despite its 1993 release, is very much a product of that decade. Even though it’s several generations removed from Sony’s
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The decade of the 1990s would be remembered as the decade in which Compact Disc finally matured. Whereas CD players in the 1980s were often unconventional –even odd –by 1990, the breed was quickly becoming honed into what we now call “normal.” The Sony CDP-X33ES was the epitome of this. Today, it may appear to
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The year is 1978. The Bee Gees, as well as other acts like Tavares and Yvonne Elliman who appeared in Robert Stigwood’s magnum opus film Saturday Night Fever, are dominating the pop charts. Meanwhile, you’re a broke wannabe audiophile who can only fantasize about the exotic stuff you read about in magazines and brochures. You’re
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There were never that many fantastic loudspeakers in the 1970s. Speakers were increasingly complicated and power-hungry, possibly because the wisdom of the day was that big, muscular transistor power amps were the way forward. Slow transients, phase difficulties, and needlessly intricate crossovers plagued multi-driver designs using thick polypropylene and Bextrene cones, degrading the sound… The
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