This monstrous integrated amplifier, which cost £3,499 when it was first released a decade ago, was a Sugden A21a on steroids. The IA-4 set out to provide that crystalline Class A sound to a larger audience, with significantly increased power and additional features. The biggest difference between it and its smaller A21a S2 sibling was […]
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The story begins with the advent of Linn’s Ittok LVII tonearm toward the end of the 1970s. In an analog scene dominated by the SME 3009S2, which existed on practically every turntable motor unit at the time, it put the cat among the pigeons. There was also the Grace G707, which had been Linn’s preferred
In the grand scheme of things, this tuner is famed for its superior design and ergonomics. It features classic aesthetics that Yamaha has lately reintroduced for their hi-fi separates; only a small patina of age on a CT-7000 indicates that it was designed in 1973 rather than 2013. It’s regular size at 436x144x352mm, but it’s
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When Roy Gandy’s mother asked if he wanted a record player or a television, he chose the former. But despite his best efforts, he received the latter, motivating him to pursue hi-fi in his own unique way. Four years later, he’d designed and built his own loudspeakers, begun going to shows, and started buying records
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In 1986, just as it appeared that vinyl was nearing its end, the SME Series V arrived. The tagline “the best pickup arm in the world” had been used by the Steyning company for a long time, but it had become a bit of a joke. The SME Series III was far from this, and
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It’s difficult to be a little standmounter at the best of times, but it’s even more difficult when you’re worth £10,900. Who would be Raidho’s C1.1, a small speaker with a price tag that rivals practically every huge one? It can only justify its price by sounding really excellent in a variety of ways –
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Quad’s Vena features a totally new, high-quality Class AB amplifier with a strong 45W RMS per channel on the inside (quoted). It features a Cirrus Logic CS4398 DAC, which is also used in Quad’s Platinum series CD players, as well as aptX Bluetooth connectivity, making it ideal for users who have music stored on their
Quad has typically catered to rich, (small c) conservative people who value quality but aren’t willing to spend exorbitant prices for it. Perhaps this explains why the 909 power amplifier is essentially a gently revised and rehoused 405 – the company’s award-winning, high-capacity transistor power amplifier that was introduced in 1975. There’s nothing wrong with
Quad was a one-man band in the mid-1960s who could do no wrong. Its recently released ESL-57 electrostatic loudspeaker was revolutionary and widely regarded as one of the best designs in the world. Its Quad II valve power amplifiers were also of high quality, and they had garnered a lot of fans. This made it
The range and depth of hi-fi in the 1970s were enormous. We’ve all heard of the emergence of the major Japanese labels, but there were lots of smaller continental European names developing as well, amid the last gasps of British brands like Garrard and Leak. Bang & Olufsen was arguably at its pinnacle at the
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