Back in the early nineteen seventies, the main purveyors of turntables in Britain were Garrard and BSR, with the likes of Lenco, Dual, Philips, Collaro and Balfour also providing some popular designs. Many were auto-changers, and they were frequently featured in popular radiograms of the time; however, they were far from suitable for audiophile use. […]
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Prices began to drop within a few years after the first SACD players arrived. You didn’t have to spend £5,000 on Marantz’s groundbreaking SA-1 any longer. Suddenly, DVD players with SACD compatibility became available for a tenth of the price, and the Philips DVD 763SA was the cheapest serious Super Audio Compact Disc spinner by
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To honor the two hundred and fiftieth anniversary of Johan Sebastian Bach’s death, Ortofon released three new Kontrapunkt moving coil cartridges at the turn of the millennium. The a and b comfortably outsold the c, despite the fact that they were all slightly different. The b was my favorite of the bunch, with a Nude
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The Aurora was the company’s first turntable, and it cost little under £1,000 when it was released in 2014. It’s a high-quality skeletal belt drive design hewn from black acrylic with a low-resonance platter, just like the original from 2003. It lacks traditional sprung suspension and must be placed on a well-isolated table or wall
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Who would have guessed? Oppo Digital Inc., a California-based spin-off of an obscure Chinese optical disc player firm, launches a high-end hi-fi product line. It’s not your normal hi-fi success story, but with each new product launch, the tale becomes more credible. The business now has its own matching DAC/preamp/headphone amp – in the very
Etsuro Nakamichi, a tape magnetics research engineer, created the Nakamichi Corporation in Japan in 1948. In 1951, he began creating open reel decks for other hi-fi businesses to put their own badges on, as he was captivated by tape. It was a difficult business to be in, needing tight tolerances and precise alignment, as well
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It’s been a long time since Naim Audio Ltd. initially opened its doors in a Wiltshire backstreet in 1973, and since then, the company has grown in popularity and reputation. Julian Vereker, the firm’s founder, once stated that he started the company to manufacture hi-fi equipment that he and his friends would enjoy listening to.
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Some may dismiss this as merely another of the many power amplifiers made by the Salisbury solid-state specialists over the years, but I believe it has something unique to offer in the grand scheme of things. Naim Audio rose to prominence with the NAC 32 and NAP 250, despite not being the company’s first preamp/power
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When Naim Audio released its first standalone digital-to-analogue converter towards the end of the first decade of the new century, it raised some eyebrows. The company stated that it wouldn’t be worthwhile to do one until it could provide something technically novel, which it did. The £1,995 Naim DAC was created with jitter in mind
When the 3155 was introduced in January 1985, NAD touted it as “two products in one.” “As a preamplifier, it rivals the sound characteristics of most discrete audiophile preamps while outperforming them in terms of operating versatility.” It pushes even problematic loudspeakers to shockingly high volume levels with clean, substantial, full-bodied musical sound that is
