The M1 CLiC, which cost £1,239 when it was released in 2011, was an exceedingly amazing piece of equipment at the time. It was described at the time as a preamplifier, DAC, and network music player all in one, and it seemed incredibly adaptable. When you paired it with the matching £599 M1 CDT transport, […]
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The tale of the Musical Fidelity A1 design is already well-known. Tim de Paravicini accepts the challenge. “I strive to be innovative, and if I can avoid it, I don’t duplicate anybody,” he explained. “It all started with a circuit on a breadboard that I created with low feedback and that acted like a valve
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Monitor Audio’s Radius 90, which retails for £350, is one of my favorite super-small speakers. It’s only 198x125x140mm in size, weighs 2.1kg, and has only 1.5 liters of usable space within. It was available in real wood veneer, piano lacquer white or black at the time of its launch — silver was no longer an
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Class D, of course. I’m not a fan, but only “so far,” because I don’t have any philosophical issues with it. Experience has taught me that it’s not so much what you do as it is how you do it, and Bruno Putzeys seems to agree. You may not know who he is, but he
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Farad Azima, his brother Henry, and Stan Curtis were the founding directors of Mission Electronics, which was founded in 1977. Another intriguing new British hi-fi firm to emerge from the ‘Silicon Fen’ around Huntingdon, Cambridgeshire – the UK’s equivalent of Silicon Valley, if you will – it quickly established itself with the likes of A&R
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If, as LeCorbusier put it, “design is intelligence made visible,” then Roy Gandy, the Rega RB300’s designer, has a few extra brain cells. This tonearm is a seminal design that was initially introduced in the summer of 1983. Its tracking weight spring can be chastised for adding a tinge of hue. The RB250, on the
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Even in 2004, CD players seemed to be nearing the end of their useful life. Because of the onslaught of DVD-Audio, SACD, and even universal machines, less and fewer people sought outdated, unreconstructed CD separates. Those who did were discerning audiophiles who realized that even the best DVD spinner couldn’t play 16-bit Compact Disc as
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The DVD-Audio vs. SACD conflict was raging by 2002. Many manufacturers first pledged their allegiance to one format, but quickly realized that they needed to support both new hi-res disc formats. Because this was before the age of so-called “universal” players, most businesses offered a choice of two models that were essentially the same. For
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In 1988, the recordable CD (also known as CD-R) was introduced. The format, known as CD-WO (CD-Write Once), was fully compatible with the original ‘Red Book’ CD standard, offering up to 74 minutes of recording (650 MB), although later CD-Rs gave up to 80 minutes of recording (800 MB) (737MB). CD-RW (CD-ReWriteable) discs were also
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The sheer quantity of low-cost Philips-based Marantz CD players produced in the 1980s and 1990s is staggering. The market was continuously moving throughout the heyday of the silver disc, and Marantz, like everyone else, had to come up with new features, adjustments, and/or style to maintain its market position. In 1988, Marantz released the CD65
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