Amplifiers

Rogers A100 Review

Rogers was one of the most well-known hi-fi brands in the United Kingdom in the 1970s. Originally created in 1947 by Jim Rogers to produce speakers such as the Theatrical Horn Loudspeaker, the company later gained the license to manufacture BBC monitors and sold tens of thousands of LS3/5as, LS 5/1s, and L 5/9s, the […]

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Rotel RB-1092 Review

We’ve seen a quiet revolution in stereo amplifier design over the last few years, as we’ve seen a shift from one style of creating power amplifiers to another. In the grand scale of things, the delayed transition from Class AB to Class D functioning is noteworthy for a variety of reasons – probably on par

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Sansui AU-317 Review

It’s unfortunate that so many outstanding brands have faded away, from Leak and Garrard in the United Kingdom to Micro Seiki and Sansui in Japan. In the 1970s, the latter was one of the most well-known Nipponese brands, with a proud array of high-end, high-quality items with an uniquely slimline yet powerful sound. The Sansui

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Naim NAIT Review

Until the 1983 release of the Naim NAIT, integrated amplifiers were thought to be something you bought before you could afford a ‘real’ preamplifier/power amplifier combo. It’s fair to assume that the breed was not well-liked. Instead of presenting low-cost circuitry in a costly cabinet adorned with acres of brushed aluminium and bouncing power meters,

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Onkyo A-9755 Review

China was beginning to make major inroads into the world’s hi-fi market towards the end of the first decade of the twenty-first century, taking advantage of its low manufacturing costs to manufacture enormous and impressive amplifiers for less money than expected. However, the introduction of Class D technology enabled Japan to fight back. It’s a

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Pioneer A-400 Review

The A-400 integrated amplifier from Pioneer was released in the spring of 1990 to rave reviews in the United Kingdom. The fact that Japanese amplifiers had been regarded with great distrust in the British press until then, simply because they weren’t particularly audiophile in orientation, played a part in the dynamic. For example, a decade

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