In the 1970s, Japan’s Victor Corporation was a completely committed hi-fi producer, producing a range of highly clean sounding amplifiers, tuners, cassette players, and turntables. The 1977 QL-70 was one of the company’s best vinyl spinners, consisting of a turntable motor unit and plinth minus tonearm (the QL-7 had a manual tonearm, while the QL-A7 […]
Apart from the LP12 turntable, Linn has always collaborated with other firms to produce its analogue goods — the first Ittok tonearm was called after one Mr. Ito, the Japanese co-creator, and the majority of the early ones were built in Japan. The cartridges have also been outsourced; the most recent Linn Kandid moving coil
Linn’s second-ever turntable design, dubbed “Son of Sondek,” had a lot to live up to. Linn’s attempt to entice silver disc customers back to vinyl was launched in 1987, just as Compact Disc was finally gaining traction. This means it had to outperform decent CD players, be simple to set up and use, and have
The narrative of this renowned record player begins in 1972, when it first emerged from the Castlemilk factory, blinking into the Glasgow sunlight. That was a long time ago, and the Sondek has been chastised in recent years for being “old hat.” It may lack the acres of gleaming Perspex and fancy gold-plated finery that
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In the big eighties vinyl scheme of things, the Mantra sat between a Rega Planar 3 and a Linn LP12, another long-lost British belt-drive turntable. It had a nice, stable base for tonearms ranging from the Linn LVX+ to the Rega RB300, and it was well-made and stylish. In 1989, Manticore released their own Musician
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Back in 1979, vinyl was the only serious music carrier this side of open reel tape, and the Linn Sondek LP12 was the only serious LP spinner, at least according to the UK hi-fi press. However, this viewpoint was not widely shared elsewhere, and in Japan, a fierce competition was raging between a number of
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The Planar 3 was a progression of Rega Research’s initial vinyl incursion, the Planet, and was released in 1978. This was a bizarre-looking design with three massive cast aluminium alloy spokes to support the record. Because this didn’t work out so well, a common mod was to place a glass mat on top of the
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