Trio/design Kenwood’s team was the first to look into the acoustic qualities of materials used in turntable construction, making it the most complete Japanese turntable of its time. This iconic high-end turntable was decades ahead of its late-nineties, early-seventies rivals — and similarly pricey. It cost four times as much as a Linn LP12 when […]
The Pioneer PL-12D revolutionized the industry. It was at this point that established British companies like BSR and Garrard were deprived of their core market — entry-level turntables. Suddenly, in 1973, you could get a significantly slicker belt drive deck with Japanese build quality for a few pounds more than a clumsy, idler drive Garrard
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It’s difficult to fathom how the Hydraulic Reference was welcomed when it was first released in the early 1960s. It defied the accepted dogma in practically every regard, unlike all other high-end turntables of the time. The deck was created by David Gammon and initially appeared in 1963. It moved into full-time production in 1964
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This Tellurium Q power amplifier, another example of a great British hi-fi ‘what-if,’ debuted on the scene in 2012, promising so much. This newish British startup isn’t prone to exaggeration; rather, the excitement sprang from the fact that it was designed by Colin Wonfor, formerly of Inca Tech and one of the industry’s many eccentric
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The Technics SP-10 broadcast turntable introduced the technology in 1970, and it blew people’s minds. Without the use of idlers, pulleys, or belts, direct drive accomplished exactly what it stated on the tin: it moved the platter from its center. It had numerous advantages, including the ability to adjust the platter speed to an unusually
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Sony CEO Akio Morita travelled to the United States in the early 1960s in an attempt to persuade Americans to listen to little transistor radios, as he relates in his brilliant autobiography Made In Japan. The consumer electronics business in the United States was initially skeptical that anyone would want to listen to something smaller
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Other manufacturers’ top-of-the-line designs look little and feeble in comparison to one of the most remarkable things ever to make a noise. This device, the monarch of Tannoy’s Prestige Range, is simply amazing in every way. Aside from its intimidating physical presence, Tannoy’s design philosophy is evident in its longevity. While fashions come and go,
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The story begins with the advent of Linn’s Ittok LVII tonearm toward the end of the 1970s. In an analog scene dominated by the SME 3009S2, which existed on practically every turntable motor unit at the time, it put the cat among the pigeons. There was also the Grace G707, which had been Linn’s preferred
This monstrous integrated amplifier, which cost £3,499 when it was first released a decade ago, was a Sugden A21a on steroids. The IA-4 set out to provide that crystalline Class A sound to a larger audience, with significantly increased power and additional features. The biggest difference between it and its smaller A21a S2 sibling was
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This was one of the swankiest British turntables at the time, having been released in 1978. The STD 305D was an attempt to bring comfort and ease of use to the high end – without sacrificing the beautiful sonics of the finest British decks – in a sea of Japanese direct drives that worked with
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