Michael Maloney explains, “We were aiming to develop an amplifier that was well manufactured.” “When we started in the late 1970s, the quality of the components was fairly bad. In the signal path, they were still utilizing ancient carbon resistors and electrolytic capacitors, and the printed circuit boards were still Bakelite. We were among the […]
When you talk to Antony Michaelson about his vast product portfolio, there are a few designs in particular that he adores, one of which is the A1000. It’s a two-box design, with the first housing the amplifier and the second housing the power supply (11kg and 7kg respectively). Two sets of eight substantially heatsinked transistors,
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Tim de Paravicini, a bright former Lux designer who had previously worked with Antony at Michaelson and Austin, was the logical choice when Antony Michaelson needed his first Musical Fidelity integrated amplifier. Tim told me that the A1 started out as “a breadboard that I created for myself” in order to “replicate in transistors the
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In some ways, the decade of the 1980s was a difficult one for loudspeaker design. Despite the appearance of a handful of ‘milestone’ products, such as Celestion’s SL6 and Acoustic Energy’s AE-1, it’s difficult to say that these were entirely successful designs in and of themselves. Rather than being remembered for what they did, they
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When NAD’s 3020 initially arrived in the early 1980s, it blew past all other cheap integrateds, as well as innumerable amps costing much over twice as much. The hi-fi market cried out for something with a comparable astonishing mix of price and performance, but at a higher level, over the next few years. Then, in
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Mission loudspeakers are well-known. For a long period in the 1990s, the brand was ubiquitous, omnipresent, and nearly synonymous with speakers in the same way that Wharfedale was in the 1970s. Some people are also familiar with Mission amplifiers, as its Cyrus line of electronics (which is now an entirely independent company) was a huge
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In a world of hard, harsh, and spitty budget boxes, the Mission 752 was one of the loveliest and most fascinating economical floorstanding loudspeakers of the nineties, with a beautifully smooth, open, and easy sound. One of the reasons for this was its (at the time) cutting-edge HDA (High Definition Aerogel) mid/bass driver, which provided
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Passive preamps have one advantage: Their short signal lines and lack of circuit complexity result in a clear, detailed sound. They aren’t, however, a cure-all for the problem of controlling your source. They have traditionally depended on resistive networks selected via a switch or rotary variable resistors, which can result in significant impedance mismatches at
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It’s interesting how some iconic goods have vanished into the mists of time, completely forgotten, while others are still talked about decades later. The 104 tuner from Meridian is an example of the former, but it also deserves to be the latter! It has Allen Boothroyd to credit for its wonderful packaging and ergonomics, and
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Back in 1979, vinyl was the only serious music carrier this side of open reel tape, and the Linn Sondek LP12 was the only serious LP spinner, at least according to the UK hi-fi press. However, this viewpoint was not widely shared elsewhere, and in Japan, a fierce competition was raging between a number of
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