The SA-1 from Marantz was the state-of-the-art in high-resolution digital audio thinking in 2001. Compact Disc had been around for about two decades, during which time it had been polished and streamlined to the point that it could no longer function. Thanks to the redoubtable talents of its technical figurehead Ken Ishiwata, Marantz had shown […]
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Most amplifiers from the 1980s weren’t anything to write home about, especially the gadget-laden behemoths. But Marantz’s flagship was unique – a hefty 25kg integrated that cost £1,000 and featured the company’s odd ‘Quarter-A’ technology, which handled lower-level signals up to a quarter of the maximum power output in pure Class A. However, when the
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In the big eighties vinyl scheme of things, the Mantra sat between a Rega Planar 3 and a Linn LP12, another long-lost British belt-drive turntable. It had a nice, stable base for tonearms ranging from the Linn LVX+ to the Rega RB300, and it was well-made and stylish. In 1989, Manticore released their own Musician
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Do you recall the birth of the Squeezebox? It was introduced in 2003 as the SliMP3, an MP3-only gadget with a connected connection that required a computer programmer to interface it with its host computer – or so it seemed. Two years later, the Squeezebox a proper arrived, with Wi-Fi, a digital output, and native
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The narrative of this renowned record player begins in 1972, when it first emerged from the Castlemilk factory, blinking into the Glasgow sunlight. That was a long time ago, and the Sondek has been chastised in recent years for being “old hat.” It may lack the acres of gleaming Perspex and fancy gold-plated finery that
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Apart from the LP12 turntable, Linn has always collaborated with other firms to produce its analogue goods — the first Ittok tonearm was called after one Mr. Ito, the Japanese co-creator, and the majority of the early ones were built in Japan. The cartridges have also been outsourced; the most recent Linn Kandid moving coil
In 2002, the Classik bridged the gap between audio and hi-fi by combining a CD player, amplifier, and tuner in a midi-sized box for £995. This is where the company’s issues began, because customers who were interested in ‘lifestyle’ systems were unlikely to have heard of Linn, and even fewer were likely to visit one
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The Philips-supplied laser pick-up system was meant to be separated from the CD12’s main chassis, making it immune to extraneous disturbances like loudspeaker vibration (both mechanically coupled and airborne). High-speed DSP was employed to control the CD control/servo circuits, and a puck was used to control them. The spindle motor was brushless for electromagnetically silent
Linn’s second-ever turntable design, dubbed “Son of Sondek,” had a lot to live up to. Linn’s attempt to entice silver disc customers back to vinyl was launched in 1987, just as Compact Disc was finally gaining traction. This means it had to outperform decent CD players, be simple to set up and use, and have
It’s not just about listening to music when it comes to hi-fi. Of course, its primary role is to sound good, but it also serves an aesthetic purpose. There’s no shortage of gear that excels at one of these functions, but it’s unusual to find something that excels at both, such as Lecson’s famed AC1/AP3
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