One of the most iconic names in British hi-fi, Harold Joseph Leak founded this now-defunct company in London in 1934, later selling it to the Rank Organisation in January 1969, when its fortunes began to falter. Between these times, and particularly in the 1950s and 1960s, the brand was known for high-quality amplifiers, radio tuners, […]
In the 1970s, Japan’s Victor Corporation was a completely committed hi-fi producer, producing a range of highly clean sounding amplifiers, tuners, cassette players, and turntables. The 1977 QL-70 was one of the company’s best vinyl spinners, consisting of a turntable motor unit and plinth minus tonearm (the QL-7 had a manual tonearm, while the QL-A7
Do you recall the decade of the 1980s? The only substantial amplification at the start of the decade came in two boxes. You’d have to buy two, one marked ‘pre’ and the other marked ‘power’, whether it was Naim, Meridian, Exposure, or Quad. Then, in 1984, Naim Audio shocked the hi-fi world with the introduction
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The world of loudspeakers in the 1980s was strange, but rarely great. With its clangy, first-generation metal dome tweeter, Celestion’s SL6 was considered cutting-edge. Linn’s bizarre Isobarik, with its slew of forward-facing and upward-firing motors, was cited as a model. Many people dismissed Quad’s ESL-63 electrostatic, which had been twenty years in the making. What
Serious audiophiles used turntables as their primary music source back in the mists of time, when hi-fi was as widespread as mobile phones are now. Upgraders should buy the greatest possible design available, which generally meant a single speed Scottish deck, according to the publications of the day. This necessitated the development of good but
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If you wanted to get serious about sound on a budget in the 1980s, vinyl was your only option. For the most of the decade, Compact Disc was the domain of the wealthy; even the cheapest Philips machines cost over £300 towards the end of the decade. No, if you only had half that much
Dual CS 506 Review Read More »
Let’s be honest: Bang & Olufsen’s philosophy isn’t ‘sound first, everything else second.’ However, if we’re being honest, it’s difficult to say the same about the majority of so-called “true hi-fi” makers, to whom we serious audiophiles happily grant house room. Can you honestly state that the ordinary Arcam is solely concerned with sound, ignoring
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It all began in a Cambridge bedroom – Audiolab’s bedroom, to be precise. Philip Swift, along with Derek Scotland, left his “day job” as a director of Lentek Audio to found a company that would have a big impact on the hi-fi sector for the next fifteen years. In the autumn of 1982, while Duran
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Audio Technica has released a deck that is unmistakably an homage to Technics’ legendary SL-1200 turntable, which was announced to be discontinued not long ago. A direct-drive 16-pole, three-phase motor runs at 33-1/3, 45, or 78 RPM in the new AT-LP1240-USB. There’s a detachable headshell and an S-shaped tone arm with adjustable tracking force and
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Arcam hi-fi separates have always been geared at the mass market, but they’ve frequently turned out to be a little odd. Always well-engineered, the company frequently tries bold engineering techniques, sometimes with tremendous success — as evidenced by this high-end CD player introduced at the turn of the century. The FMJ CD23 was a development
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