It shared much of its genetic make-up with a Philips machine – the CD303 – and was the top model in the company’s first generation range of CD players. To put it another way, its list of component parts reads like a wish list from a 1980s digiphile. The CDM-1 Pro mechanism, which has a […]
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The first Compact Disc players were released in 1982, and British purchasers received them a year later. This generation has mostly been forgotten since then, which is a shame because many of them sound considerably more ‘analogue’ than many of today’s high-end esoterica. A good example is the Marantz CD-54. It’s a late first-generation design
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When Compact Disc was first introduced in 1982, there was a lot of debate over how it sounded. There were two separate CD player tribes at first: Philips-based units and Japanese-based machines. The former had DACs that only went up to 14-bit resolution but oversampled the digital datastream four times, such as the Philips CD100.
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Ken Ishiwata, a Marantz brand advocate, says, “When I first heard CD, I was surprised.” “I saw the potential of what this tiny disc could achieve — it was incredible.” What astonished me the most at first was the lack of surface noise, as well as the measurements – I appreciated the clear sine waves,
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What’s not to like about the MD-90 from Magnum Dynalab? Any red-blooded radiohead will be enchanted by its delectable fascia, which is packed with analogue meters, LED numerals, switches, knobs, and the inscription ‘analogue FM tuner.’ If there was ever a product that extolled the virtues of its medium, this is it. The MD-90 instantly
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Although it benefited from designer Jonathon Carr’s vast experience, this was not totally hand crafted by Lyra’s artisan Yoshinori Mishima when it was first released in the UK in 2007. Instead, the initial construction was outsourced. It was also the first to use a Namiki MicroRidge line-contact stylus, however it was wrapped in the traditional
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Linn’s LP12 was the undisputed vinyl monarch for the majority of the 1970s and 1980s. New competitors to the Sondek’s championship came and went, but the Sondek remained on top. Ironically, because they didn’t turn out to be nearly as good, these aspirant vinyl kings were unfairly neglected and dismissed. This always struck me as
Logic DM101 Review Read More »
Rewind to 1987 in Glasgow. Linn Products, which had earned its name with the Sondek LP12 turntable, was well aware that the new Compact Disc format was beginning to eat into its sales. The company’s response was to expand its loudspeaker lineup while also moving away from the first generation of boxes (Kan, Sara, and
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Many consider the Linn Ittok to be the world’s first super-arm. It was designed by a Mr. Ito to Linn’s specifications in the late 1970s and originally built for Linn by the Denon Parts Company of Japan (no related to the electronics brand). It underwent several adjustments over the years, including a new counterbalance, until
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Tonearm enthusiasts had a fantastic year in 1987. After what seemed like an eternity of waiting, not one, but two – then three – buses arrived at the same moment. The first was the SME Series V, which has gotten a lot of press; many consider it to be “the finest” arm in some ways,
