The NAD 3020 was undoubtedly the finest hi-fi success story ever reported at the start of the 1980s. This small integrated amplifier had a tremendous impact on the cheap hi-fi market, and for good reason. The infant New Acoustic Dimension, introduced in 1979 and priced – for a brief, fleeting moment – £59, sounded significantly […]
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Since he “foolishly decided to become engaged with creating hi-fi,” Rob Watts has gone a long way. He cofounded Deltec Precision Audio after graduating from Cardiff University in 1984 and quickly established himself as a talented electronics engineer. Then he went on to digital, where the PDM1, his first Bitstream DAC, raised some eyebrows. He
This was a hit when it debuted at the 2001 Consumer Electronics Show in Las Vegas. It wasn’t simply the company’s first digital-to-analogue converter; it was also the result of Rob Watts and John Franks meeting by coincidence. The former is a talented audio engineer who began his career at Deltec Precision Engineering, while the
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The Celestion SL6 standmounting loudspeaker, if there was ever a hi-fi product that drew an invisible line under the 1970s, as if to declare, ‘this chapter is now finished,’ it was it. It’s difficult to put into words how modern it appeared when it was introduced in September 1981; its design was so stunning that
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Cambridge Audio is a British firm that, despite a history of great, inexpensive audiophile goods, receives much too little attention – which is maybe unsurprising given that many of those who have – and/or do – work for the company are talented people themselves. Matthew Bramble, a brilliant tweaky type who was the lynchpin of
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The world was astonished when Cambridge Audio’s first DACMagic was released in 1995. It was designed by John Westlake, of Pink Triangle DaCapo and Audiolab M-DAC renown, and it put the firm on the map as a real contender for seriously good, affordable digital converters. The business released the redesigned DacMagic in 2009, which boldly
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This is without a doubt the best new product of 2014 for real-world audiophiles, and one of the most intriguing loudspeakers I’ve heard in a long time. It’s unique in that it’s inexpensive (£900) but produces a sound quality that far exceeds the price. Indeed, the Aeromax 6 appears to me to be a low-cost
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“To be the first commercial endeavor to design and construct a loudspeaker that reflects the greatest standards attainable without respect to any of the so-called ‘practical factors’ that ultimately compromise traditional designs,” the brief stated. The design team was given “no constraints,” according to B&W, other from the need to recreate full range sound with
The conventional complaint to direct-drive, which involves a motor located directly in the center of the platter, was that you could hear it ‘cogging.’ This was a problem caused by the fact that the permanent magnet fields of a direct-drive motor are not uniform (they’ll always be stronger at the ends and weakest in the
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Armar G Bose concluded that current loudspeakers simply didn’t offer when he created this really unusual gadget. He was fascinated by sound propagation and an outspoken supporter of spatiality in sound, but he considered most of the designs on the market were excessively directional. He thought a ‘pulsating sphere’ was the ideal shape for producing
