CD/DVD Players

The Marantz SA-12S1 is a big one, at 458x126x379mm, and is often finished in the company’s signature champagne gold. Twelve professional-grade Crystal CS4397 DACs and twelve custom HDAM copper-plated op-amps were installed inside, all of which worked in dual differential mode. Marantz’s proprietary Super-Ring toroidal transformer, as well as a separate transformer for the fluorescent […]

The Lecson AC1/AP1 preamplifier/power amplifier combination was released in 1974, and it was one of the most remarkable pieces of industrial design the world had ever seen. Allen Boothroyd and Robert Stuart, the two men behind it, established themselves as one of the best design teams in British hi-fi history. The Meridian brand was introduced

Meridian has been a leader in the field of innovation since its founding in 1977. Bob Stuart and Allen Boothroyd, the company’s founders, had already worked on some of the most innovative hi-fi devices of the 1970s, including the Lecson AC1/AP1 and the Orpheus. The M1 active loudspeaker was Meridian’s bold debut when they first

In 2007, Didier Hamdi, a flamboyant ex-motorsportsman, bought the well-known French hi-fi manufacturer Micromega, relegating company founder Daniel Schar to engineering duties. The CD-30, released in 2010, was one of the first items of the new era. On the surface, it didn’t appear to be anything extraordinary. It was a decent player, but it didn’t

Anthony Michaelson uncorked the Cockburn’s Special Reserve, polished the silver, and introduced a celebratory collection of Tri-Vista items in 2003 to honor the two decades since its legendary Dr. Thomas preamp first hit dealer shelves. The Tri-Vista 300 integrated amplifier (of which only 500 were created) and the Tri-Vista CD/SACD player (of which only 800

When the Naim CDX2 was released in 2003, it appeared that Compact Disc was starting to weaken in the face of competition from SACD and DVD-Audio. So it appeared bold of Naim to launch a new CD player right into the market for high-end universal machines. It seems to be a lot of money to

Ken Ishiwata, a Marantz brand advocate, says, “When I first heard CD, I was surprised.” “I saw the potential of what this tiny disc could achieve — it was incredible.” What astonished me the most at first was the lack of surface noise, as well as the measurements – I appreciated the clear sine waves,

When Compact Disc was first introduced in 1982, there was a lot of debate over how it sounded. There were two separate CD player tribes at first: Philips-based units and Japanese-based machines. The former had DACs that only went up to 14-bit resolution but oversampled the digital datastream four times, such as the Philips CD100.

The first Compact Disc players were released in 1982, and British purchasers received them a year later. This generation has mostly been forgotten since then, which is a shame because many of them sound considerably more ‘analogue’ than many of today’s high-end esoterica. A good example is the Marantz CD-54. It’s a late first-generation design

It shared much of its genetic make-up with a Philips machine – the CD303 – and was the top model in the company’s first generation range of CD players. To put it another way, its list of component parts reads like a wish list from a 1980s digiphile. The CDM-1 Pro mechanism, which has a