Sony SA-S1 Review

Sony’s La Scala 1 system, which was released in the UK in 1995 and cost roughly £1,500 at the time, was later lowered to much less. The CDP-S1 CD player, optional MD-S1 MiniDisc recorder, TC-S1 cassette deck, ST-S1 tuner, and TAE-S1 preamp were all included. A pair of SA-S1 active speakers completed the kit, resulting

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Leema Xen 2 Review

Lee Taylor received BAFTA and Palme d’Or honors for his work in recording and mixing for television, music, and film prior to founding Leema, while Mallory Nichols had previously worked in the manufacturing of MAGTRAX monitors for recording studios and mastering firms since the early 1990s. It’s no surprise that the two men started their

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Quad ESL-989 Review

Peter Walker of Quad was entirely correct in looking for a better way to construct a loudspeaker. The failures of his flagship loudspeaker, the Quad CR Corner Ribbon, which was a radical hybrid design with a ribbon tweeter and a conventional bass driver in a wood cabinet, inspired him. Even though it was one of

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Spendor SA1 Review

The original Spendor SA1 loudspeaker was released soon before the BBC LS3/5a in the early 1970s, and many people thought it sounded better than its more popular competitor. The SA1 you see here, on the other hand, is a distant cousin that has evolved much since then. Only the dimensions (305x165x190mm) and the usage of

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Usher BE-10 Review

Beryllium has a lot of advantages. Only Hydrogen, Helium, and Lithium are lighter (more stable) metals in the Periodic Table. This results in an extremely sturdy structure for any given weight, which is ideal for loudspeakers! It is significantly more adapted to moving air than anything constructed of heavy old Magnesium or Aluminum, which may

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