Loudspeakers

This is one of the most cheap tiny speakers in recent memory. It’s a two-way reflex ported bookshelf design, as expected, but that’s where the routine ends. It has an Usher UA25-10 25mm silk dome tweeter and a KSW2-5029B 125mm mid/bass unit with a polypropylene cone; the latter is an interesting choice; this material was […]

The original Wharfedale Diamond was rumored to be the result of research for the company’s high-end TSR102 project, but it was actually just its treble and midrange unit housed in a tiny, handmade bass reflex box. The end result was a small loudspeaker with only 5.2 liters of internal volume to work with. A 19mm

Small-scale specialty producers have a lot to offer. Their products are frequently more innovative, concentrated, and tailored to the demands of a fast changing market. However, big businesses can perform just as well, if not better, in other areas. Consider the enormous engineering resources available to the large international Yamaha brand, which is responsible for

NEAT Acoustics has been a full-fledged loudspeaker producer for several decades, although North East Audio Traders has long since ceased retail operations. Bob Surgeoner, the company’s founder, is a fascinating and amiable individual who is also a talented and prolific musician. It’s no wonder, then, that his speakers are consistently delightful to listen to. This

Fascinating. This little box defies all the norms of loudspeaker cabinet design, including the notion that boxes should be seen rather than heard. If you put 10 speaker designers in a room, they’ll argue over everything from the advantages of infinite baffles and ribbon tweeters to electrostatic panels and cone materials, but none of them

This is a fascinating story. Karl Heinz Fink of Fink Audio Consulting in Essen, Germany, and Steve Reichert of Armour Group in Cambridge, England, are the two main protagonists. The former is one of his generation’s top speaker designers, while the latter is a pleasant chap with a good ear and an Arcam sales and

This legendary electrostatic still has a magical quality to it fifty-seven years after development began. In comparison to other loudspeakers of the time, the ESL-57 provided excellent clarity because to its mix of superb sound quality and attractive appearance. Its outstanding transparency and speed drew the attention of BBC engineers, who quickly adopted it as

It’s difficult to be a little standmounter at the best of times, but it’s even more difficult when you’re worth £10,900. Who would be Raidho’s C1.1, a small speaker with a price tag that rivals practically every huge one? It can only justify its price by sounding really excellent in a variety of ways –

Farad Azima founded Mission Electronics in 1977, and the 770 loudspeaker, the first to use a polypropylene mid/bass driver, appeared in 1978. It received a lot of positive feedback and projected a picture of a bold, forward-thinking, modern corporation in a historically conservative industry area steeped in history. Henry Farad, Farad’s brother, was a skilled

Monitor Audio should be commended for using ribbon tweeters in its flagship Platinum series, which debuted in 2007. A very good ceramic coated aluminium/magnesium ribbon HF unit rode shotgun with a single 6.5 inch Rigid Diaphragm Technology bass-mid driver on the PL100, which cost £2,300. The heft of a traditional dome tweeter, according to designer