Loudspeakers

Farad Azima founded Mission Electronics in 1977, and the 770 loudspeaker, the first to use a polypropylene mid/bass driver, appeared in 1978. It received a lot of positive feedback and projected a picture of a bold, forward-thinking, modern corporation in a historically conservative industry area steeped in history. Henry Farad, Farad’s brother, was a skilled […]

Monitor Audio should be commended for using ribbon tweeters in its flagship Platinum series, which debuted in 2007. A very good ceramic coated aluminium/magnesium ribbon HF unit rode shotgun with a single 6.5 inch Rigid Diaphragm Technology bass-mid driver on the PL100, which cost £2,300. The heft of a traditional dome tweeter, according to designer

Mordaunt Short, founded in Fulham in 1967, quickly established itself as a genuinely middle-class loudspeaker brand, catering to those seeking high performance in a conservatively fashioned package. For example, the 1977 Pageant was a symbol of suburban respectability, a type of hi-fi Volvo. However, the brand underwent a series of transformations, including ownership changes and

The Celestion SL6 standmounting loudspeaker, if there was ever a hi-fi product that drew an invisible line under the 1970s, as if to declare, ‘this chapter is now finished,’ it was it. It’s difficult to put into words how modern it appeared when it was introduced in September 1981; its design was so stunning that

Fujitsu Ten is a massive automobile audio company with over 4,000 people and a plethora of electronic and mechanical technical resources. Eclipse TD, one of the world’s most eccentric yet accomplished loudspeaker manufacturers, has found the right parent corporation. The abbreviation ‘TD’ refers for ‘Time Domain,’ which is at the heart of the company’s ideology.

It’s funny how certain things make a big splash when they first come out, but then fade into obscurity once they’ve been phased out. The Gale GS401 speaker is an example of this, having earned the CES Design and Engineering Excellence Award in 1978, only to fade into obscurity a decade later. The 401 was

The AE1 is one of the most legendary hi-fi loudspeakers of the 1980s, with the Celestion SL6 and the Wharfedale Diamond, in the pantheon of boxes that changed the game. Aside from the BBC LS3/5a and the Spendor SA1, tiny speakers in the 1970s were few. Indeed, the breed had not been treated seriously at

ATC is the loudspeaker firm with the most passion and soul in the professional audio market. Billy Woodman founded the company in 1974 to make drive units for broadcast and recording studios. Its first design was a strong twelve-inch woofer, which clearly indicated where his focus lay. By the mid-1980s, the firm was selling to

The £3,295 ATC SCM40 is unusual in that it doesn’t look or feel like practically any other loudspeaker in its price range. It’s almost as if someone forgot to style it, as if three (albeit unusual-looking) drivers were thrown into a box supposed to do the job and then left. This stands in stark contrast

The BBC’s ‘monitoring loudspeaker type LS3/5a’ has gone down in history. Some say it possesses unique features not found in any succeeding speaker, while others believe it is exaggerated and unfairly revered. Whatever your opinion is on this small box, there’s no doubting that it’s a major product in its own right… The performance of