Loudspeakers

Celestion SL6 Review

The Celestion SL6 standmounting loudspeaker, if there was ever a hi-fi product that drew an invisible line under the 1970s, as if to declare, ‘this chapter is now finished,’ it was it. It’s difficult to put into words how modern it appeared when it was introduced in September 1981; its design was so stunning that […]

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Eclipse TD712z2 Review

Fujitsu Ten is a massive automobile audio company with over 4,000 people and a plethora of electronic and mechanical technical resources. Eclipse TD, one of the world’s most eccentric yet accomplished loudspeaker manufacturers, has found the right parent corporation. The abbreviation ‘TD’ refers for ‘Time Domain,’ which is at the heart of the company’s ideology.

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Gale GS401A Review

It’s funny how certain things make a big splash when they first come out, but then fade into obscurity once they’ve been phased out. The Gale GS401 speaker is an example of this, having earned the CES Design and Engineering Excellence Award in 1978, only to fade into obscurity a decade later. The 401 was

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Spendor BC1 Review

Loudspeaker design isn’t the dark art that some consider it to be. Speakers aren’t immune to physics’ laws; in fact, it’s the principles of physics that decide the sound of any particular product. Simply put, there are the cabinets to get right, the drive units to get right, and the interplay between the two to

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Mission 752 Review

In a world of hard, harsh, and spitty budget boxes, the Mission 752 was one of the loveliest and most fascinating economical floorstanding loudspeakers of the nineties, with a beautifully smooth, open, and easy sound. One of the reasons for this was its (at the time) cutting-edge HDA (High Definition Aerogel) mid/bass driver, which provided

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Mission 775 Review

Mission loudspeakers are well-known. For a long period in the 1990s, the brand was ubiquitous, omnipresent, and nearly synonymous with speakers in the same way that Wharfedale was in the 1970s. Some people are also familiar with Mission amplifiers, as its Cyrus line of electronics (which is now an entirely independent company) was a huge

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Epos ES14 Review

The world of loudspeakers in the 1980s was strange, but rarely great. With its clangy, first-generation metal dome tweeter, Celestion’s SL6 was considered cutting-edge. Linn’s bizarre Isobarik, with its slew of forward-facing and upward-firing motors, was cited as a model. Many people dismissed Quad’s ESL-63 electrostatic, which had been twenty years in the making. What

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