The Quad II is one of the most well-known British power amplifiers, with a legendary reputation and a definite and iconic valve design. It was first released in 1953, and a corresponding preamplifier – the QC 22 – was added in 1959, just as stereo microgroove recordings became available. However, the early Quad IIs were […]
With a number of specialist tonearm producers, the United States was a thriving market for turntables. Rabco, based in Maryland, was one of these companies, selling its complicated SL-8 and SL-8E tangential-tracking tonearms from the late 1960s onwards. Powered by two small electric motors, they amassed a small but devoted following, prompting the company to
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Class D, of course. I’m not a fan, but only “so far,” because I don’t have any philosophical issues with it. Experience has taught me that it’s not so much what you do as it is how you do it, and Bruno Putzeys seems to agree. You may not know who he is, but he
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Almost every major development in turntable design had occurred by the time the Heybrook TT2 was released in 1980. Although we had quartz-locked direct drive, British manufacturers usually avoided it due to cost concerns. As a result, the majority of UK decks were variations on the Linn theme, which was itself a variation on the
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Monitor Audio’s Radius 90, which retails for £350, is one of my favorite super-small speakers. It’s only 198x125x140mm in size, weighs 2.1kg, and has only 1.5 liters of usable space within. It was available in real wood veneer, piano lacquer white or black at the time of its launch — silver was no longer an
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Hitachi’s discovery and production of MOSFETs (Metal Oxide Silicon Field Effect Transistor) had a major role in the hi-fi world that was just around the corner in the mid-1970s. The world had only been in solid-state for fifteen years and was still on a long and steep learning curve. However, Hitachi’s new power MOSFET output
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The tale of the Musical Fidelity A1 design is already well-known. Tim de Paravicini accepts the challenge. “I strive to be innovative, and if I can avoid it, I don’t duplicate anybody,” he explained. “It all started with a circuit on a breadboard that I created with low feedback and that acted like a valve
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Tube amplification was viewed as an extreme niche in hi-fi in the late 1990s, similar to how most petrolheads thought of kit cars (i.e. “interesting, but not for me”). So maybe it’s a sign of the times that we’re suddenly getting more new valve items than transistor products. Icon Audio happened to be in the
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The M1 CLiC, which cost £1,239 when it was released in 2011, was an exceedingly amazing piece of equipment at the time. It was described at the time as a preamplifier, DAC, and network music player all in one, and it seemed incredibly adaptable. When you paired it with the matching £599 M1 CDT transport,
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This was a superb affordable audiophile valve amplifier that was launched in 2012 for the princely sum of £1,700. “The original Stereo 40 was born in 2000, and was at the heart of what we do, top quality amplifiers at a reasonable price,” said chief designer David Shaw. This is a jumble of ideas with
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