Despite costing only a few hundred pounds more than its predecessor, the 2019 8300CDQ was sleeker and more complex in terms of build, finish, and functionality – plus it had MQA, which Audiolab thought was a useful new feature. This should help the player remain future-proof, but DSD playback, which is finally gaining traction among […]
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For 1974, Sony’s exorbitantly priced TC-177SD was a striking offering. It was dubbed “the most complex cassette deck ever built,” and it had three heads, which Yamaha’s beautiful ‘ski-slope’ TC-800GL lacked. This was originally the exclusive domain of open reel, and allowed for ‘off-tape monitoring,’ which allowed you to hear your recording while it was
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The original Wharfedale Diamond was rumored to be the result of research for the company’s high-end TSR102 project, but it was actually just its treble and midrange unit housed in a tiny, handmade bass reflex box. The end result was a small loudspeaker with only 5.2 liters of internal volume to work with. A 19mm
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A design can be exactly right on occasion. When a designer adds just the right amount of features and quality, then wraps it all up in a properly styled package, he or she has achieved perfection. The Sony TC-229SD cassette deck from 1977 was a perfect example of this. The TC-229SD was a fine recorder
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In the grand scheme of things, this tuner is famed for its superior design and ergonomics. It features classic aesthetics that Yamaha has lately reintroduced for their hi-fi separates; only a small patina of age on a CT-7000 indicates that it was designed in 1973 rather than 2013. It’s regular size at 436x144x352mm, but it’s
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Many abroad audiophiles must have been praying for us in our darkness when it came to the late 1970s British hi-fi scene. Linn’s Sondek LP12 captivated the UK hi-fi press. This deck was (is) unquestionably excellent, however contrary to popular belief, it was not the only ace black vinyl spinner available at the time. In
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Small-scale specialty producers have a lot to offer. Their products are frequently more innovative, concentrated, and tailored to the demands of a fast changing market. However, big businesses can perform just as well, if not better, in other areas. Consider the enormous engineering resources available to the large international Yamaha brand, which is responsible for
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The original Spendor SA1 loudspeaker was released soon before the BBC LS3/5a in the early 1970s, and many people thought it sounded better than its more popular competitor. The SA1 you see here, on the other hand, is a distant cousin that has evolved much since then. Only the dimensions (305x165x190mm) and the usage of
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This was one of the swankiest British turntables at the time, having been released in 1978. The STD 305D was an attempt to bring comfort and ease of use to the high end – without sacrificing the beautiful sonics of the finest British decks – in a sea of Japanese direct drives that worked with
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This monstrous integrated amplifier, which cost £3,499 when it was first released a decade ago, was a Sugden A21a on steroids. The IA-4 set out to provide that crystalline Class A sound to a larger audience, with significantly increased power and additional features. The biggest difference between it and its smaller A21a S2 sibling was
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