Pioneer’s PL-600 turntable was a wonderful turntable that seems to have dropped down the back of the sofa when it was released in 1979. It was a generation ahead of the company’s prior record players, being sleek and futuristic. The PL-200, an excellent quality but simple semi-automatic direct drive turntable, was the top conventional turntable […]
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There have been few items in hi-fi that have lasted as long as the Shure V15. It was the American company’s main pickup cartridge from 1964 to 2005, and it went through eight different iterations. It cultivated a devoted following; for others, it was the only method to listen to LP music. The V15 had
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From a British perspective, high-end turntables in the late 1970s started with Rega’s Planar 3 and finished with the fully equipped Linn Sondek. That was the final chapter of the story. However, in those heady days when belt-drive ruled the roost and direct-drives were judged ‘unmusical’ by the UK press, any audiophile looking East would
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The ‘Scale Model Equipment Company Ltd’ was founded in 1946 to produce parts for the model engineering industry, but by the 1950s, it had expanded to include aircraft instruments and commercial machinery. The first ‘precise pick-up arm’ from SME didn’t come until 1959. It was a revelation by agricultural standards of the time, and it
Pioneer is one of the more intriguing Japanese brands, as well as one of the most impressive in terms of product quality over time. It has never failed to innovate in consumer electronics since it was founded in 1937 by Japanese engineer Nozomu Matsumoto. The golden years of hi-fi, according to neutral observers, were from
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This turntable was a breath of fresh air in the turntable industry when it was released a decade and a half ago, giving genuinely great performance in a small size. It also provided the option of purchasing it as the 10A, which contained the superb SME Series V tonearm, rather than the armless Model 10.
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Until the 1983 release of the Naim NAIT, integrated amplifiers were thought to be something you bought before you could afford a ‘real’ preamplifier/power amplifier combo. It’s fair to assume that the breed was not well-liked. Instead of presenting low-cost circuitry in a costly cabinet adorned with acres of brushed aluminium and bouncing power meters,
This is a fascinating story. Karl Heinz Fink of Fink Audio Consulting in Essen, Germany, and Steve Reichert of Armour Group in Cambridge, England, are the two main protagonists. The former is one of his generation’s top speaker designers, while the latter is a pleasant chap with a good ear and an Arcam sales and
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The name SME precedes the brand. Everyone in the audiophile community knows it’s a terrific firm with a fantastic history. Any SME product is guaranteed to be of high quality, and it has never produced a dud. Is that the case? Some people don’t consider the Series III, which was introduced in 1978 and won
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Look no further than this if you’re ever unsure about Naim Audio’s philosophy. The purest elements of the company’s DNA are contained within the NAT 01’s tiny (86x206x300mm) casing. It is devoid of fripperies, stripped down to the bone in terms of practicality, and brazen in its minimalism, and is designed for the maximum fidelity
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