The original NAIT was the product that kicked off the ‘super integrated’ fad in the 1980s. Whereas “integrated” was formerly considered the poor relation of their high-end pre-power brethren, it became fashionable to opt for a high-quality one-box design with the same level of attention paid to internal component quality and circuit design. As a […]
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Arcam hi-fi separates have always been geared at the mass market, but they’ve frequently turned out to be a little odd. Always well-engineered, the company frequently tries bold engineering techniques, sometimes with tremendous success — as evidenced by this high-end CD player introduced at the turn of the century. The FMJ CD23 was a development
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Do you recall the birth of the Squeezebox? It was introduced in 2003 as the SliMP3, an MP3-only gadget with a connected connection that required a computer programmer to interface it with its host computer – or so it seemed. Two years later, the Squeezebox a proper arrived, with Wi-Fi, a digital output, and native
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Compact Cassette was still considered a novelty media in 1973, having been invented by Philips a decade before for dictation purposes alone. It was absurd to think it could deliver true hi-fi performance. Serious tape users possessed Revoxes, particularly the A77, or one of a growing number of high-end Japanese decks from Sony, Akai, or
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Audio Technica has released a deck that is unmistakably an homage to Technics’ legendary SL-1200 turntable, which was announced to be discontinued not long ago. A direct-drive 16-pole, three-phase motor runs at 33-1/3, 45, or 78 RPM in the new AT-LP1240-USB. There’s a detachable headshell and an S-shaped tone arm with adjustable tracking force and
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In the big eighties vinyl scheme of things, the Mantra sat between a Rega Planar 3 and a Linn LP12, another long-lost British belt-drive turntable. It had a nice, stable base for tonearms ranging from the Linn LVX+ to the Rega RB300, and it was well-made and stylish. In 1989, Manticore released their own Musician
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The fact that multimedia speakers aren’t intended specifically for hi-fi is the main obstacle for most hi-fi enthusiasts. As a result, they can’t possibly be worth an audition, so the logic goes. Since the dark days of the late 1980s, when the first examples appeared, modest active designs used by students to beef up their
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It all began in a Cambridge bedroom – Audiolab’s bedroom, to be precise. Philip Swift, along with Derek Scotland, left his “day job” as a director of Lentek Audio to found a company that would have a big impact on the hi-fi sector for the next fifteen years. In the autumn of 1982, while Duran
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Most amplifiers from the 1980s weren’t anything to write home about, especially the gadget-laden behemoths. But Marantz’s flagship was unique – a hefty 25kg integrated that cost £1,000 and featured the company’s odd ‘Quarter-A’ technology, which handled lower-level signals up to a quarter of the maximum power output in pure Class A. However, when the
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Nytech’s iconic ‘Calculator Tuner Amplifier’ is virtually forgotten these days, although it made a big impact on the British hi-fi market when it was hot in the late 1970s. When it was first released in 1972, calculators were practically the width and depth of an LP record, and they, like the Nytech, were connected into
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