Philips, don’t you simply adore them? Whenever this inventive Dutch consumer electronics behemoth ventured near serious hi-fi, everything went horribly wrong. The company’s portfolio of avowedly high-end late-1970s esoterica, the ‘Black Tulip’ collection, was designed to take on both the Brits and the Japanese in one fell stroke. Unfortunately, it had about as big of […]
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If you wanted to get serious about sound on a budget in the 1980s, vinyl was your only option. For the most of the decade, Compact Disc was the domain of the wealthy; even the cheapest Philips machines cost over £300 towards the end of the decade. No, if you only had half that much
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Back in 1979, vinyl was the only serious music carrier this side of open reel tape, and the Linn Sondek LP12 was the only serious LP spinner, at least according to the UK hi-fi press. However, this viewpoint was not widely shared elsewhere, and in Japan, a fierce competition was raging between a number of
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It’s 1989, and the hi-fi world has changed dramatically. We’re still debating the advantages of digital audio – and unless you’re one of a select few hi-fi nerds around the world with early access to the new ‘Digital Audio Tape’ format, which runs at a heady 48kHz sampling rate, ‘digital audio’ means Compact Disc in
Philips CD850II Review Read More »
Serious audiophiles used turntables as their primary music source back in the mists of time, when hi-fi was as widespread as mobile phones are now. Upgraders should buy the greatest possible design available, which generally meant a single speed Scottish deck, according to the publications of the day. This necessitated the development of good but
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It’s interesting how some iconic goods have vanished into the mists of time, completely forgotten, while others are still talked about decades later. The 104 tuner from Meridian is an example of the former, but it also deserves to be the latter! It has Allen Boothroyd to credit for its wonderful packaging and ergonomics, and
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The Planar 3 was a progression of Rega Research’s initial vinyl incursion, the Planet, and was released in 1978. This was a bizarre-looking design with three massive cast aluminium alloy spokes to support the record. Because this didn’t work out so well, a common mod was to place a glass mat on top of the
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The world of loudspeakers in the 1980s was strange, but rarely great. With its clangy, first-generation metal dome tweeter, Celestion’s SL6 was considered cutting-edge. Linn’s bizarre Isobarik, with its slew of forward-facing and upward-firing motors, was cited as a model. Many people dismissed Quad’s ESL-63 electrostatic, which had been twenty years in the making. What
Passive preamps have one advantage: Their short signal lines and lack of circuit complexity result in a clear, detailed sound. They aren’t, however, a cure-all for the problem of controlling your source. They have traditionally depended on resistive networks selected via a switch or rotary variable resistors, which can result in significant impedance mismatches at
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Do you recall the decade of the 1980s? The only substantial amplification at the start of the decade came in two boxes. You’d have to buy two, one marked ‘pre’ and the other marked ‘power’, whether it was Naim, Meridian, Exposure, or Quad. Then, in 1984, Naim Audio shocked the hi-fi world with the introduction
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