When it was first released in 2010, this dual mono integrated Class AB powerhouse (claiming 125W into 8 Ohms) was a costly piece of kit at £5,750. It’s solidly constructed and polished, but it’s not a £6,000 Japanese device — there’s no luxuriously covered brushed aluminium, astonishing shutlines, or a plethora of elegantly performing buttons. […]
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TDK’s Tremor ‘multimedia loudspeaker system’ (as they used to call them back then) was one of the most intriguing designs of the decade, in my opinion, when it was introduced in 2001. The Tremor S-150, S-60, and S-40 were the company’s original speaker systems, with a total of three available. Each had a powered subwoofer
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Does the world really need another cable brand? New cable companies come and go like ships in the night. Well, maybe. The packaging was the first positive evidence of the SLiC’s quality, as it was significantly less ornate than most cable brands, implying that more of the money was spent on the cable itself. It’s
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Compact disc had a particularly intriguing period in the early 1990s. Digital audio, like ‘that difficult second album,’ had a dilemma in terms of how to progress. Philips and Sony had developed slick second-generation machines, but these were simply evolutions of their first-generation goods, and it was time to start over and create fresh forward-thinking
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Sony discreetly discontinued their Digital Audio Tape format in 2005, but it has been on the critical radar for some time. Indeed, the DTC-A6 was the last major high-end consumer DAT machine released by the Japanese electronics giant, debuting in October 1996. Sony effectively ceased development of their devices with this, even if DAT didn’t
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Moving magnet cartridges with excellent compliance were all the rage in the vinyl world in the 1970s. The M75ED, which was debuted in 1974, ruled the roost. The manufacturer claimed it could track securely down to 0.75g thanks to its ultra-light design and great compliance. The VMS20E from Ortofon was another famous design that pushed
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MiniDisc was on its way out in 2003. Sales were dropping, and the format’s brief resurgence between 1998 and 1999 seemed like a distant memory. Of fact, it was at this point in its sales cycle that vinyl made significant advancements in the sound quality of its players, and we now see CD doing the
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Technics was founded in 1965 as Panasonic Corporation’s high-end hi-fi brand. The term first appeared on loudspeakers, but it was an obvious fit for Shuichi Obata’s innovative transcription turntable. The ‘Technics by Panasonic’ SP-10 was the world’s first direct drive deck of the contemporary era, debuting in 1970. It made its way into broadcast studios
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Since smartphones took over our life five or so years ago, there has been little interest in something that seemed to be the very future of technology just ten years earlier. Back in the day, Apple’s iPod was regarded to be the most astonishing invention of the millennium. Generations after generation were smaller, cuter, and/or
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The Technics SL-1200 was never just a disco fashion statement. To people who had only only seen Regas and Linns, the Technics would appear to be a flimsy ornament, but once you see one in person, you’ll realize why it was always remarkable. It has a sophisticated diecast aluminium upper portion, as well as a
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