Back in the early nineteen seventies, the main purveyors of turntables in Britain were Garrard and BSR, with the likes of Lenco, Dual, Philips, Collaro and Balfour also providing some popular designs. Many were auto-changers, and they were frequently featured in popular radiograms of the time; however, they were far from suitable for audiophile use. […]
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As one might anticipate, the cartridge market in the late 1970s was thriving. This was the pinnacle of the vinyl craze, when the format was all-powerful and the only method to listen to high-quality stereo recordings. As you might expect, the market was broad, with cheap Goldring G850 moving magnets retailing for around £10 and
Elite Electronic Industries 700 Review Read More »
If, as LeCorbusier put it, “design is intelligence made visible,” then Roy Gandy, the Rega RB300’s designer, has a few extra brain cells. This tonearm is a seminal design that was initially introduced in the summer of 1983. Its tracking weight spring can be chastised for adding a tinge of hue. The RB250, on the
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Peter Walker of Quad was entirely correct in looking for a better way to construct a loudspeaker. The failures of his flagship loudspeaker, the Quad CR Corner Ribbon, which was a radical hybrid design with a ribbon tweeter and a conventional bass driver in a wood cabinet, inspired him. Even though it was one of
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Since its introduction over half a century ago, many hundreds of thousands of Hadcocks have been sold in over a hundred countries, making it one of the most popular tonearms that most audiophiles have never heard of. It’s a traditional unipivot design – indeed, for its fans, it’s the classic unipivot – that predates more
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Farad Azima, his brother Henry, and Stan Curtis were the founding directors of Mission Electronics, which was founded in 1977. Another intriguing new British hi-fi firm to emerge from the ‘Silicon Fen’ around Huntingdon, Cambridgeshire – the UK’s equivalent of Silicon Valley, if you will – it quickly established itself with the likes of A&R
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The Quad II is one of the most well-known British power amplifiers, with a legendary reputation and a definite and iconic valve design. It was first released in 1953, and a corresponding preamplifier – the QC 22 – was added in 1959, just as stereo microgroove recordings became available. However, the early Quad IIs were
With a number of specialist tonearm producers, the United States was a thriving market for turntables. Rabco, based in Maryland, was one of these companies, selling its complicated SL-8 and SL-8E tangential-tracking tonearms from the late 1960s onwards. Powered by two small electric motors, they amassed a small but devoted following, prompting the company to
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Class D, of course. I’m not a fan, but only “so far,” because I don’t have any philosophical issues with it. Experience has taught me that it’s not so much what you do as it is how you do it, and Bruno Putzeys seems to agree. You may not know who he is, but he
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Almost every major development in turntable design had occurred by the time the Heybrook TT2 was released in 1980. Although we had quartz-locked direct drive, British manufacturers usually avoided it due to cost concerns. As a result, the majority of UK decks were variations on the Linn theme, which was itself a variation on the
Heybrook TT2 Review Read More »
