Richard Hay, a man who served his audio apprenticeship with the highly regarded Arthur Radford and Arthur Bailey at Radford Electronics, founded Nytech in the early 1970s. His company produced well-regarded mid-market equipment for about fifteen years before circumstances combined to put an end to it. But, because to a bizarre set of events, the […]
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California-based The Reference 8 and 9 monoblocs were NuForce’s first Class D amplifiers, which were introduced during the 2005 Consumer Electronics Show in Las Vegas. The £635 Reference 8 single-ended input (RCA) and £700 Reference 8b balanced input (providing a claimed 100W RMS) were available, as well as the £935 Reference 9 having balanced and
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NEAT Acoustics has been a full-fledged loudspeaker producer for several decades, although North East Audio Traders has long since ceased retail operations. Bob Surgeoner, the company’s founder, is a fascinating and amiable individual who is also a talented and prolific musician. It’s no wonder, then, that his speakers are consistently delightful to listen to. This
It’s easy to dismiss Nakamichi as a seller of exorbitantly priced esoterica. The company earned legendary status thanks to its well-known Dragon and MusicLink lines. Its marque, like Luxman, MacIntosh, Revox, or Goldmund, had guilt-edged, twenty-four-carat gold-plated assurance. Isn’t it true that Nakamichi’s odds of doing anything even substantially affordable were slimmer than seeing flying
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According to the original 1985 Nait, a newborn Naim delivered roughly 7W per channel. Small boxes from Salisbury, like the (then) new UnitiQute, pushed out 45W per side by 2010, and included DAB, FM, uPnP streaming, and USB sources, as well as a built-in DAC and analogue inputs. How quickly things have changed! It was
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Look no further than this if you’re ever unsure about Naim Audio’s philosophy. The purest elements of the company’s DNA are contained within the NAT 01’s tiny (86x206x300mm) casing. It is devoid of fripperies, stripped down to the bone in terms of practicality, and brazen in its minimalism, and is designed for the maximum fidelity
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Until the 1983 release of the Naim NAIT, integrated amplifiers were thought to be something you bought before you could afford a ‘real’ preamplifier/power amplifier combo. It’s fair to assume that the breed was not well-liked. Instead of presenting low-cost circuitry in a costly cabinet adorned with acres of brushed aluminium and bouncing power meters,
One Naim insider calls this one-box music machine as “a gateway drug.” In reality, it’s unlikely that it’ll be able to compete with Bose and B&O on their own turf, given both businesses – particularly the latter – invest so much of the retail price in advertising. Bose’s name is well-known, but Naim’s is not.
When the Naim CDX2 was released in 2003, it appeared that Compact Disc was starting to weaken in the face of competition from SACD and DVD-Audio. So it appeared bold of Naim to launch a new CD player right into the market for high-end universal machines. It seems to be a lot of money to
The ARO is one of the most unusual performance-focused tonearms ever built, reputedly made “hand in glove” for the Linn Sondek LP12 turntable and Troika cartridge. The narrative begins in 1987, when Naim Audio decided to end its particular partnership with Linn Products; Linn was a manufacturer of electronics (remember the LK1/LK2? Some might not!
