When you hear “British hi-fi,” you immediately think of Linn, Naim, Rega, Cyrus, and Creek, firms that rose to prominence in the 1970s and 1980s. Quad, SME, KEF, Leak, and Wharfedale, all of which gained popularity in the 1960s, will also be significant for elder audiophiles. But what of Britain’s lost hi-fi brands, the ones […]
Tuners are rarely sought after. Even the best representatives of the species, such as high-end turntables or gigantic open reels, struggle to stir passions. But Aiwa’s AT-9700 was different: it was one of the first tuners with a digital frequency display, and it was super modern in the 1970s sense. This seemed to be the
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The late 1970s were a hectic period for mass market hi-fi; things were moving at such a breakneck pace that many Japanese manufacturers battled to keep up. As a result of this state of affairs, a lot of eccentric models like this were almost obsolete before they were launched – or, at the very least,
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BSR, a British business, introduced the ADC brand of budget-to-mid-priced turntables in November 1979. Because BSR was a troubled brand, it made natural to adopt the name of the American corporation that controlled it. The Audio Dynamics Corporation had been developing significant vinyl sources for nearly two decades and was a well-known manufacturer of cutting-edge
The AE1 is one of the most legendary hi-fi loudspeakers of the 1980s, with the Celestion SL6 and the Wharfedale Diamond, in the pantheon of boxes that changed the game. Aside from the BBC LS3/5a and the Spendor SA1, tiny speakers in the 1970s were few. Indeed, the breed had not been treated seriously at
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Although no cassette deck has ever been compared to an oil painting, early specimens of the genre were particularly unappealing. Top-loaders from the 1970s were fiddly and unwieldy to operate, with controls strewn about indiscriminately, whilst front-loaders appeared bold and threatening. Forget about the physics of the machines. They were crude and clumsy, confirming cassette’s
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Why can’t man develop an accurate loudspeaker if he can put cars on Mars and perfect open heart surgery? Modern speakers are severely hampered even under the best of circumstances, and the chance of getting one to perform correctly from 20Hz to 20kHz is still a long way off. Given that moving coil drivers are
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There aren’t many dedicated audiophiles who haven’t possessed a Thorens TD 160 at some point in their lives — usually on their way up to a Linn LP12. It was a turntable that was firmly rooted in the middle class. It was built to do a job well, and it delivered a measured performance that
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The SL-P1200 was a (at the time) outmoded top-loading CD spinner with pitch control and a jog wheel for fine and accurate cueing control. The 1200, like the turntable with which it shared a model number (and indeed feet! ), was a ‘pro’ design meant for nightclub use, and it was quite firmly manufactured –
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The Mark 2 version of the SL-150, released in 1977, added quartz-locked servo control to the original’s excellent direct drive motor, introduced a redesigned and quieter plinth, and incorporated wood into the equation; the armboard and lower section now received this as both a cosmetic touch and a sonic improvement. It was a worthwhile redesign
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