Reviews

Brinkmann Bardo Review

The conventional complaint to direct-drive, which involves a motor located directly in the center of the platter, was that you could hear it ‘cogging.’ This was a problem caused by the fact that the permanent magnet fields of a direct-drive motor are not uniform (they’ll always be stronger at the ends and weakest in the […]

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Dynavector DV505 Review

The DV505 was released by Dynavector, a modest Japanese technical firm, and it shook the hi-fi world. Instead of the normal sales pitch, the company revealed the results of its considerable engineering research into tonearm shape and resonance characteristics. The world took notice quickly, and the DV505 went on to win the Design and Engineering

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ATC SCM40 Review

The £3,295 ATC SCM40 is unusual in that it doesn’t look or feel like practically any other loudspeaker in its price range. It’s almost as if someone forgot to style it, as if three (albeit unusual-looking) drivers were thrown into a box supposed to do the job and then left. This stands in stark contrast

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BW 801 Review

“To be the first commercial endeavor to design and construct a loudspeaker that reflects the greatest standards attainable without respect to any of the so-called ‘practical factors’ that ultimately compromise traditional designs,” the brief stated. The design team was given “no constraints,” according to B&W, other from the need to recreate full range sound with

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Eclipse TD712z2 Review

Fujitsu Ten is a massive automobile audio company with over 4,000 people and a plethora of electronic and mechanical technical resources. Eclipse TD, one of the world’s most eccentric yet accomplished loudspeaker manufacturers, has found the right parent corporation. The abbreviation ‘TD’ refers for ‘Time Domain,’ which is at the heart of the company’s ideology.

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Rega RB300 Review

The Rega R200 was the best cheap tonearm in the world until August 1983. It was an S-shaped, Japanese-sourced variation of the mid-range Lustre GST-1 that delivered good results for the £46 price tag. But then along came an arm with such an incredible price/performance ratio that the poor S-shaped Rega was forgotten about. The

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Yamaha TC-800GL Review

Although no cassette deck has ever been compared to an oil painting, early specimens of the genre were particularly unappealing. Top-loaders from the 1970s were fiddly and unwieldy to operate, with controls strewn about indiscriminately, whilst front-loaders appeared bold and threatening. Forget about the physics of the machines. They were crude and clumsy, confirming cassette’s

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