For many years, the name Marantz has been connected with hi-fi. Saul Marantz founded the company in America, and it immediately gained a name for its valve amplifiers, among other things. The company has long been associated with the massive Philips corporation, but despite reaping significant benefits from that association, not least in recent years […]
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The DR-17 is a Compact Disc Recorder designed around top-quality digital components given by Philips, as well as unique Marantz technology, and shares its style and champagne finish with previous models (though it is also available in black), as well as the formidable CD-7 flagship CD player which was utilized as a source for this
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Philips, the inventor of the Compact Disc system, has naturally been at the forefront of following advances touching every level of the production process, from digital encoding through master disc preparation and processing to final pressing and packaging. Philips has also taken on the task of promoting the European sector in its battle against the
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Whest Audio’s PS.30RDT was released in 2009 as a near descendant of the company’s flagship MC REF V, and it cost a whopping £2,799 when new. It comes in a single 430x280x72mm box with a Whest MC REF V Hybrid filter and an ultra low noise bipolar opamp DIP8 chip severely biased towards Class A.
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If you’ve been paying attention over the last few decades, you’ve probably heard of Yamaha’s legendary NS-1000M loudspeaker, which was first released in 1978. It had an unforgettable sound, thanks to highly inventive Beryllium midrange and treble dome drivers that were a tenth of the weight of standard designs, housed in a super-thick sealed cabinet
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The Zu Druid, made in Ogden, Utah, is one of the more intriguing floorstanding loudspeakers I’ve seen. This specific fourth generation model, from 2006, is a fan favorite. The one-and-a-half-way speaker is equipped with a full-range driving unit and a super tweeter that eliminates the need for a crossover. The impedance quoted is 12 ohms
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Noise-cancelling technology was not new when Sennheiser’s PXC-250 portable headphone was released in 2005, but here was a cheap, practical, and stylish implementation of it. Sennheiser’s noise-cancelling technology is known as NoiseGardTM. The device works by two small microphones inside the earpieces sending any noise they detect to an amplifier, which then inverts the phase
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‘Retro’ was all the rage in the early years of the new millennium, and in hi-fi, the rebirth of the BBC LS3/5a loudspeaker was at the forefront of the trend. The shameful truth was that this iconic little mini-monitor was a terribly defective, if cute, design even back then. New drive units, cabinet technology, and
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When it was first released in 2010, this dual mono integrated Class AB powerhouse (claiming 125W into 8 Ohms) was a costly piece of kit at £5,750. It’s solidly constructed and polished, but it’s not a £6,000 Japanese device — there’s no luxuriously covered brushed aluminium, astonishing shutlines, or a plethora of elegantly performing buttons.
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TDK’s Tremor ‘multimedia loudspeaker system’ (as they used to call them back then) was one of the most intriguing designs of the decade, in my opinion, when it was introduced in 2001. The Tremor S-150, S-60, and S-40 were the company’s original speaker systems, with a total of three available. Each had a powered subwoofer
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