The limited-edition Philips LHH1000 has a transport (which houses the laser pickup assembly, the remainder of the CD player mechanics, and the servo electronics) as well as a separate digital-to-analog converter. The proposed list price for this player is $4,000, which is half the price of some other two-piece models but still twice the price […]
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Paul Miller, pointing out the complexity in the low-end CD market, demonstrated how pandemonium prevails when too many manufacturers compete for the same budget dollars. In his January issue review, he assessed Marantz’s latest entrance at the £200 pricing point, highlighting the dangers of rushing to market and issuing a run with shoddy parts. Which,
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The ambassador from Marantz is treating us like royalty. Only the KI-Signature badges set the CD player and amplifier out from the rest. Not for individuals who simply listen to music in the background. Both the amplifier (left) and the CD player have substantial copper plating and beefed-up power supply, which are trademark Marantz/lshiwata features.
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Whest Audio’s PS.30RDT was released in 2009 as a near descendant of the company’s flagship MC REF V, and it cost a whopping £2,799 when new. It comes in a single 430x280x72mm box with a Whest MC REF V Hybrid filter and an ultra low noise bipolar opamp DIP8 chip severely biased towards Class A.
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If you’ve been paying attention over the last few decades, you’ve probably heard of Yamaha’s legendary NS-1000M loudspeaker, which was first released in 1978. It had an unforgettable sound, thanks to highly inventive Beryllium midrange and treble dome drivers that were a tenth of the weight of standard designs, housed in a super-thick sealed cabinet
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The Zu Druid, made in Ogden, Utah, is one of the more intriguing floorstanding loudspeakers I’ve seen. This specific fourth generation model, from 2006, is a fan favorite. The one-and-a-half-way speaker is equipped with a full-range driving unit and a super tweeter that eliminates the need for a crossover. The impedance quoted is 12 ohms
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The ST-J55 (£200), ST-J60 (£295), and flagship ST-J75 (£375) were the top of Sony’s radical new 1978 tuner series. These were a stylistically bold departure for the Japanese consumer electronics giant, with slimline proportions that contrasted sharply with the enormous models that came before them. The build quality and finish were outstanding, albeit the new
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Daniel Weiss began his career as an engineer at Studer-Revox, where he specialized in the design of sampling frequency converters. In 1985, he founded Weiss Engineering Ltd. His company is probably more well-known in professional circles than in home audio, with clients like Sony, BMG, and Abbey Road, to name a few. Weiss first entered
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Back in 1977, Realistic described their Minimus-7 ‘Metal Cabinet Speaker System’ as “little simply in size, not in performance.” It’s still astonishingly capable and relevant in 2021, given how few micro speakers have been released in the last forty-five years or so. There’s not much to it — a simple 100mm ‘high compliance woofer’ –
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Sony Corporation was Japan’s most well-known manufacturer of high-end electronics in 1991, offering everything from Trinitron televisions and MiniDisc recorders to portable video cameras and CD players. Basically, if you wanted a ‘good’ TV or hi-fi, you could skip the hassle of looking around and just get a Sony, which was always likely to be
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