Reviews

Arcam FMJ-CD23 Review

Arcam hi-fi separates have always been geared at the mass market, but they’ve frequently turned out to be a little odd. Always well-engineered, the company frequently tries bold engineering techniques, sometimes with tremendous success — as evidenced by this high-end CD player introduced at the turn of the century. The FMJ CD23 was a development […]

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Nakamichi 600 Review

Compact Cassette was still considered a novelty media in 1973, having been invented by Philips a decade before for dictation purposes alone. It was absurd to think it could deliver true hi-fi performance. Serious tape users possessed Revoxes, particularly the A77, or one of a growing number of high-end Japanese decks from Sony, Akai, or

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A&R AR-A60 Review

The UK hi-fi market was a different country in the mid-1970s. Pioneer, Sony, JVC, Hitachi, and Wharfedale dominated the inexpensive end of the market, while KEF, Quad, Tannoy, and Celestion dominated the higher end. Even at the top end, names like Linn and Naim had yet to enter the vernacular. Japanese manufacturers were booming, and

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Sony CDP-911 Review

It’s often argued that the 1960s didn’t begin until the middle of the decade, and that they didn’t end until the mid-1970s… Perhaps you might say the same about the 1980s, because the Sony CDP-911, despite its 1993 release, is very much a product of that decade. Even though it’s several generations removed from Sony’s

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Wharfedale Chevin XP2

The year is 1978. The Bee Gees, as well as other acts like Tavares and Yvonne Elliman who appeared in Robert Stigwood’s magnum opus film Saturday Night Fever, are dominating the pop charts. Meanwhile, you’re a broke wannabe audiophile who can only fantasize about the exotic stuff you read about in magazines and brochures. You’re

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Wharfedale E70 Review

There were never that many fantastic loudspeakers in the 1970s. Speakers were increasingly complicated and power-hungry, possibly because the wisdom of the day was that big, muscular transistor power amps were the way forward. Slow transients, phase difficulties, and needlessly intricate crossovers plagued multi-driver designs using thick polypropylene and Bextrene cones, degrading the sound… The

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