Reviews

Mission 775 Review

Mission loudspeakers are well-known. For a long period in the 1990s, the brand was ubiquitous, omnipresent, and nearly synonymous with speakers in the same way that Wharfedale was in the 1970s. Some people are also familiar with Mission amplifiers, as its Cyrus line of electronics (which is now an entirely independent company) was a huge […]

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Leak TL12 Review

One of the most iconic names in British hi-fi, Harold Joseph Leak founded this now-defunct company in London in 1934, later selling it to the Rank Organisation in January 1969, when its fortunes began to falter. Between these times, and particularly in the 1950s and 1960s, the brand was known for high-quality amplifiers, radio tuners,

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A&R AR-A60 Review

The UK hi-fi market was a different country in the mid-1970s. Pioneer, Sony, JVC, Hitachi, and Wharfedale dominated the inexpensive end of the market, while KEF, Quad, Tannoy, and Celestion dominated the higher end. Even at the top end, names like Linn and Naim had yet to enter the vernacular. Japanese manufacturers were booming, and

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Sony CDP-911 Review

It’s often argued that the 1960s didn’t begin until the middle of the decade, and that they didn’t end until the mid-1970s… Perhaps you might say the same about the 1980s, because the Sony CDP-911, despite its 1993 release, is very much a product of that decade. Even though it’s several generations removed from Sony’s

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Wharfedale Chevin XP2

The year is 1978. The Bee Gees, as well as other acts like Tavares and Yvonne Elliman who appeared in Robert Stigwood’s magnum opus film Saturday Night Fever, are dominating the pop charts. Meanwhile, you’re a broke wannabe audiophile who can only fantasize about the exotic stuff you read about in magazines and brochures. You’re

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Wharfedale E70 Review

There were never that many fantastic loudspeakers in the 1970s. Speakers were increasingly complicated and power-hungry, possibly because the wisdom of the day was that big, muscular transistor power amps were the way forward. Slow transients, phase difficulties, and needlessly intricate crossovers plagued multi-driver designs using thick polypropylene and Bextrene cones, degrading the sound… The

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