Loudspeaker design isn’t the dark art that some consider it to be. Speakers aren’t immune to physics’ laws; in fact, it’s the principles of physics that decide the sound of any particular product. Simply put, there are the cabinets to get right, the drive units to get right, and the interplay between the two to […]
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Sugden has no introduction; everyone with even a passing interest in audiophilia is familiar with the A21 series of English amplifiers, which began with an 11 watt solid-state bipolar integrated amplifier in the mid-1960s. The A21a became a nineties benchmark; a specialist product that promised clarity at the expense of all else… It was produced
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There have been a plethora of compact hi-fi loudspeakers on the market since the original Goodmans Maxim of the 1960s, but very few miniature ones. How many professional hi-fi firms do you know that have created significant speakers that fit in the palm of your hand? Of course, if there was ever a country that
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When Technics debuted the SL-10, the company’s first parallel tracker, in 1979, it didn’t have an easy time in the UK. Japanese items, particularly decks with integrated weapons and cartridges, had little or no appeal in the British high end sector. Forget about completely automated turntables that were created with convenience and ease of use
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In 1997, Technics released the SL-1200LTD, a thousand pounds worth of piano black lacquer and 24-carat gold plating fastened to possibly the most popular and longest-lasting turntable in history. As if that wasn’t enough, Technics threw in a pair of DJ headphones, a numbered brass plaque on the plinth, and a gold Technics logo on
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The Mark 2 version of the SL-150, released in 1977, added quartz-locked servo control to the original’s excellent direct drive motor, introduced a redesigned and quieter plinth, and incorporated wood into the equation; the armboard and lower section now received this as both a cosmetic touch and a sonic improvement. It was a worthwhile redesign
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The SL-P1200 was a (at the time) outmoded top-loading CD spinner with pitch control and a jog wheel for fine and accurate cueing control. The 1200, like the turntable with which it shared a model number (and indeed feet! ), was a ‘pro’ design meant for nightclub use, and it was quite firmly manufactured –
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There aren’t many dedicated audiophiles who haven’t possessed a Thorens TD 160 at some point in their lives — usually on their way up to a Linn LP12. It was a turntable that was firmly rooted in the middle class. It was built to do a job well, and it delivered a measured performance that
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Why can’t man develop an accurate loudspeaker if he can put cars on Mars and perfect open heart surgery? Modern speakers are severely hampered even under the best of circumstances, and the chance of getting one to perform correctly from 20Hz to 20kHz is still a long way off. Given that moving coil drivers are
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The Rega R200 was the best cheap tonearm in the world until August 1983. It was an S-shaped, Japanese-sourced variation of the mid-range Lustre GST-1 that delivered good results for the £46 price tag. But then along came an arm with such an incredible price/performance ratio that the poor S-shaped Rega was forgotten about. The
