The golden period of Japanese hi-fi was probably from 1976 to 1981, when the Yen was severely undervalued on international markets, allowing Japanese manufacturers to produce items that Western businesses simply couldn’t match. Despite the fact that Japanese hi-fi became linked with value, all of the main brands had high-end sections. The items that came […]
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Most audiophiles thirty years ago believed that everything old was garbage and that all we needed to shape our brave new future was modern technology and fresh thoughts. Of course, this was only true up to a point, and now we’re rethinking previous assumptions as well. The new Wharfedale Linton Classic achieves exactly that; as
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Rega’s first Planet CD player, which was released in the mid-1990s and was not to be confused with the first Planet turntable, was the company’s entry-level silver disc spinner. This was the 2000-model-year update, and it was an unusual piece of equipment. It’s a pleasure to operate simply because it doesn’t have a traditional drawer
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Page after page of criticism and opinion – sometimes dressed up as fact, sometimes not – on how bad Japanese amplifiers were in 1980 could be found in any British hi-fi journal. They claimed this was especially true in the inexpensive sector, where all of their “frills” meant money wasn’t spent on items that would
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Wharfedale’s XP collection debuted in autumn 1975 and quickly gained a following since each model had a nice tone, was well-made, and was designed in an appealing manner. It was a great hit, quickly becoming the go-to brand for entry-level, cheap loudspeakers, appealing to those who couldn’t afford Mordaunt Short, Monitor Audio, Celestion, or KEF.
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Reloop has been producing professional audio equipment since 1996, and a dedicated hi-fi section was established two years ago. The £650 Turn5 is the company’s top-of-the-line turntable, and it’s essentially an SL-1200 clone with the exception of the variable speed control and a distinct paint job… It’s not quite as good as the Technics, but
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Sony amplifiers had abandoned their unique but unstable V-FET output transistors by 1979, and were inventing in new ways – the goal was to bring an interesting twist to a standard design. As a result, Sony engineers placed the power transistors on the main circuit board from the center of the new TA-F range upwards
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In 2016, this £1,250 integrated amplifier was released. It features five line inputs, a moving magnet phono stage, and aptX wireless Bluetooth, however it lacks DAC functionality. Aside from the Bluetooth, which is unabashedly a convenience feature, this amplifier looks a lot like something from the 1980s. It’s a big, Class AB thug with a
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From 1974 to roughly 2004, Sony produced cassette decks. The machines evolved dramatically over those three decades; they began as top-loading devices with small VU meters, slow ballistics, Dolby B and Chrome tape capabilities, and little else. They were multi-motor, had Metal switching, Dolby B, C, and S, electronic meters and tape counters, and a
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The Revolver turntable, designed by Sundown Electronic Engineering, Ltd. (also known as The SEE Corporation) in Warrington, England, was aimed at a very specialized segment in the budget audiophile turntable market in the 1980s. It was distributed through a network of small, independent specialty hi-fi stores. When you took into account the expense of an
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